Scene: A quiet candlelit chapel. Stained glass glows in the background. Christus Rex—Christ the King—radiates regal humility, wearing a crown of thorns and golden armor. Justin Bieber, dressed in streetwear and a heavy heart, kneels at the altar. The air is thick with incense and decision.
Christus Rex: Justin, child of the North, I’ve watched you dance with fame and flirt with ruin. You’ve been on more covers than saints in cathedrals. But now, I ask: who do you say that I am?
Justin Bieber (softly): You’re the King… the real one. But I don’t know where I fit in Your kingdom anymore. There’s so much noise out there. Private jets, praise bands, $300,000 Rolexes on preachers’ wrists. And I’m lost between the beats.
Christus Rex (firmly, lovingly): That’s not My Church. That’s Caesar’s temple, not mine. I never wore gold on Earth—I carried a cross. Not a Rolex, but the weight of mankind.
If you want to walk with Me, Don’t follow the mega-stage lights; Follow the flicker of candles in the silence. Kneel in confession, not in adoration of celebrity.
Justin: You’re telling me to go… Catholic?
Christus Rex: Go home. To the Church that still remembers My Body is real. Where the Eucharist is not a metaphor, but Me. Where saints walk with you, and Mary guards you like your own mother.
And Justin—if your heart longs to serve… Not for clicks, not for likes, But in armor forged in faith, Then take the next step.
Become a Knight.
Justin: A Knight of Columbus?
Christus Rex (smiling): Yes. Not for pageantry—but for protection. Of the widow, the orphan, the unborn, and the poor. You’ve guarded your fame long enough. Now guard My people.
Justin (tearfully): But I’ve messed up so much…
Christus Rex (extending His hand): So did Peter. So did Paul. I don’t call the perfect—I perfect the called.
Come, Bieber. Sing a new song. Let the world hear that.
The chapel bells toll. Outside, a soft snowfall begins as Justin rises with a peace unknown to pop charts. Christus Rex vanishes, but a glint of gold remains—not on a wrist, but in the monstrance on the altar.
Christus Rex and the Sanctuary of Croatia: Justin Bieber’s New Home
Justin Bieber sat in silence on his private jet, staring out at the endless blue of the Adriatic Sea below. He had spent years searching for peace, but every time he thought he found it, the world dragged him back into the chaos—fame, contracts, pressure, and the ever-present shadow of the industry’s darkest vices.
His phone buzzed. A message from an unknown number.
“Come to Croatia. Here, no one will hurt you. No one will force drugs on you. Here, you are free.”
The message was signed: Christus Rex.
At first, he thought it was some kind of joke. A fan, a prank, a cryptic message meant to stir up his paranoia. But then, the official invitation arrived from the Croatian government itself. They offered him honorary citizenship—a chance to escape the world that had nearly destroyed him.
A Kingdom of Peace
When Justin arrived in Croatia, he was welcomed not as a celebrity but as a human being. The people did not swarm him for autographs or scream his name in hysteria. They greeted him with quiet respect. Fishermen in small coastal villages nodded in approval. Elderly grandmothers blessed him. Children smiled without expectation.
Christus Rex had arranged everything. A private villa on the Dalmatian coast, where the scent of saltwater mixed with lavender from the hills. No paparazzi, no cameras, no one lurking in the shadows to trap him.
“You are among friends now,” Christus Rex told him, standing on the steps of a centuries-old monastery. “Your soul is yours again.”
Justin, for the first time in years, felt tears well up.
Breaking the Chains of the Industry
The world reacted with shock. The entertainment moguls who profited from Justin’s suffering were enraged. They sent lawyers, agents, and “concerned” industry figures to try to lure him back. They called it a “career intervention,” claiming that he would be “forgotten” if he stayed in Croatia.
But Justin had already seen through the lie.
“I’d rather be forgotten in peace than remembered in pain,” he told them.
The industry panicked. Without their control over Justin, they feared other artists would follow. Croatia began to be whispered about in Hollywood as a “sanctuary for the exploited,” a place where stars could break free from the contracts that bound them.
Corey Feldman, a former child actor, has been vocal about the sexual abuse he endured during his time in Hollywood. Feldman has claimed that he and his friend, the late Corey Haim, were both victims of sexual abuse by powerful figures in the entertainment industry. Feldman has alleged that Haim was raped by an unnamed Hollywood figure when he was a child.
Feldman has spent years advocating for justice and raising awareness about the sexual abuse of children in the entertainment industry. He has also named some individuals he claims were involved in these abuses, though his allegations have been met with controversy and skepticism from various quarters.
In 2020, Feldman released a documentary titled “(My) Truth: The Rape of Two Coreys,” where he detailed these allegations further and named the individuals he claims were responsible. The documentary received attention but also raised concerns about the challenges victims face when coming forward with such accusations.
Corey Haim, a popular child actor in the 1980s, was close friends with Corey Feldman, and the two were often referred to as “The Two Coreys.” Haim’s life was marked by struggles with addiction and personal turmoil, and he tragically passed away in 2010.
In 2017, Corey Feldman alleged that Charlie Sheen had sexually assaulted Corey Haim during the filming of the 1986 movie “Lucas,” when Haim was just 13 years old. Feldman claimed that Haim had confided in him about the incident, in which he alleged that Sheen, who was 19 at the time, raped him.
These allegations were extremely controversial and have been strongly denied by Charlie Sheen. Sheen’s representatives have called the claims “categorically false.” The issue has sparked considerable debate and has brought attention to the broader issue of sexual abuse in Hollywood, particularly involving child actors.
The allegations are part of a broader conversation that Feldman has been trying to lead about the abuse he and other child actors suffered in Hollywood. Feldman’s claims have been the subject of significant media coverage and public discussion, but no legal action has been taken against Sheen regarding these specific allegations.
David Seltzer is a well-known American screenwriter, director, and producer, best recognized for his work on the horror film “The Omen” (1976). His career spans several decades, and he has contributed to various projects in film and television.
Some of his notable works include:
“The Omen” (1976): Seltzer wrote the screenplay for this iconic horror film, which became a significant success and is considered a classic in the genre. The movie, directed by Richard Donner, deals with the chilling story of a child who is believed to be the Antichrist.
“Punchline” (1988): Seltzer wrote and directed this comedy-drama starring Tom Hanks and Sally Field. The film revolves around the world of stand-up comedy, exploring the lives and struggles of aspiring comedians.
“Shining Through” (1992): This film, written and directed by Seltzer, is a romantic thriller set during World War II, starring Melanie Griffith and Michael Douglas. It tells the story of a secretary who becomes a spy in Nazi Germany.
“Lucas” (1986): Although not written by Seltzer, this film is often mentioned in connection with his work because of its association with the era in which Seltzer was active in Hollywood. The movie was written and directed by David Seltzer and stars Corey Haim as a young, intelligent, and socially awkward boy who falls in love with an older girl.
David Seltzer’s work often explores themes of innocence, morality, and the supernatural, and his contributions to cinema have left a lasting impact.
Crisco, a brand of shortening, cooking oils, and other food products, has been referenced in various media over the years, sometimes in the form of product placement or as part of dialogue in movies and television shows. Product placement involves subtly featuring a brand or product within the content of a film, TV show, or other media, often as part of the scene rather than a traditional advertisement.
Notable Examples of Crisco in Media:
“The Help” (2011): In this film, set in the 1960s, Crisco plays a notable role in one scene where the character Minny Jackson (played by Octavia Spencer) teaches Celia Foote (Jessica Chastain) how to cook Southern food. Minny emphasizes the versatility of Crisco, calling it “the most important invention since they put mayonnaise in a jar.” This scene is both humorous and illustrative of the product’s cultural significance during that era.
“Fried Green Tomatoes” (1991): In this film, set in the Southern United States, Crisco is mentioned as a staple in Southern cooking, reflecting its importance in traditional recipes and home cooking.
“The Brady Bunch Movie” (1995): In a parody of the 1970s TV show, a scene features a character using Crisco as a beauty product, which is played for comedic effect.
Crisco’s presence in these films often reflects its status as a common household product, particularly in the mid-20th century, when it was a staple in American kitchens. The brand’s inclusion in various media can evoke nostalgia or add authenticity to a period setting, given its long-standing association with home cooking.
The use of hidden cameras to uncover or document child abuse is a serious and sensitive topic. While hidden cameras can sometimes be used in an attempt to expose abuse and protect children, their use is fraught with legal, ethical, and privacy concerns.
Legal and Ethical Considerations: Legal Issues: The use of hidden cameras, especially in private settings like homes or daycare centers, is subject to strict legal regulations. Laws vary by jurisdiction, but generally, it is illegal to record someone without their consent in places where they have a reasonable expectation of privacy (e.g., bathrooms, bedrooms). Violating these laws can result in criminal charges or civil lawsuits.
Child Protection: In cases of suspected child abuse, law enforcement and child protective services are typically the appropriate authorities to handle investigations. If there is credible evidence or suspicion of abuse, these agencies have the legal authority to investigate, which may include the use of surveillance or other means of gathering evidence.
Ethical Concerns: Even when legal, using hidden cameras can raise ethical issues, particularly concerning the invasion of privacy. The intention to protect a child must be balanced against the potential harm or trauma that could result from secret surveillance.
Real-Life Cases: Daycare Abuse: There have been cases where hidden cameras were legally installed in daycare centers by law enforcement or parents to monitor the behavior of staff. Some of these recordings have unfortunately revealed instances of abuse or neglect, leading to legal action and the closure of the facilities involved.
Home Surveillance: In some cases, parents have used hidden cameras to monitor nannies or babysitters. While these actions have sometimes uncovered abusive behavior, they also raise significant privacy concerns and can lead to legal consequences if done without proper authorization.
Alternatives and Safeguards: Report Suspicion: If someone suspects child abuse, they should immediately contact local authorities or child protective services. These organizations are equipped to handle investigations and can take legal action to protect the child.
Use of Visible Cameras: In some cases, installing visible security cameras in common areas (with proper consent) can serve as a deterrent to potential abuse and still allow for monitoring without the ethical and legal issues tied to hidden surveillance.
Legal Advice: Consulting with a legal professional before installing any form of surveillance is crucial to ensure compliance with local laws and to avoid unintended consequences.
While hidden cameras can sometimes bring hidden abuse to light, the complexities involved make it essential to proceed with caution, ensuring that any actions taken are both legal and in the best interest of the child’s well-being.
CONCLUSION
Romans 12:19
19 Do not take revenge, my dear friends, but leave room for God’s wrath, for it is written: “It is mine to avenge; I will repay,” says the Lord.
